And she is wonderful, in that vanishingly rare way that can come only from next-level talent as razor-sharp as it ever was plus 40 years of honing your technique, whetting both blades on 80 years of life experience.
The clues – missing notes, smashed glass in fireplaces 70 years apart, footprints in the soil now and then – entwine and illuminate each other for Maude, even as outwardly she becomes more confused and unreliable.
What are you planning to do at the age of 80 after retiring from the quarter-century in Labour politics you put in after a stellar 35-year acting career?
But that is all almost a McGuffin itself. I don’t know.
And what a presence, all diminished and unleashed at will. Now she has turned to television. In the Epilogue, Maud attends Elizabeth’s funeral but doesn’t know who she is or what’s happening. Elizabeth Is Missing is really a portrait of dementia, the charting from within and without of the disintegration of mind and memory and its effects on the sufferer and her family.
Maud had all these theories of what had happened to her and went to several different lengths to find her (the police, placing an ad in the paper etc) but never thought of the one obvious place she could be - … As well as a study of the relentless sorrows and horrors of dementia, Elizabeth Is Missing provides a meditation on what endures – joy and (especially inexplicable) loss, a sense of place and of home – or recurs down the generations. At the end of the novel, Maud still believes that Elizabeth is missing. It stars Glenda Jackson as Maud, an elderly woman living with dementia who struggles to piece together a double mystery. There is a victim, an unknown fate and clues and red herrings strewn hither and yon. The mystery element and its resolution for Sukey and Elizabeth are not too complicated, psychologically or practically, and nor do they need to be. Plus Elizabeth was never even missing in the first place.
Helen and Maud visit Elizabeth, but shortly after, Maud forgets the visit. Limber up with a Radio 4 series adapted from Zola’s novels, have a crack at King Lear and reap a harvest of rave reviews, then win a Tony for your part in a Broadway revival of Edward Albee’s Three Tall Women?
The cantankerousness shading into unreasonableness and finally violence, the frustration into despair, wordless screams becoming voiced, the thumb that creeps more often towards the mouth to suck for comfort.
It was broadcast on 8 December 2019 on BBC One. Elizabeth Is Missing is a television drama film directed by Aisling Walsh, adapted by Andrea Gibb from the novel of the same name by Emma Healey. Maude is in the throes of Alzheimer’s – her home is festooned with labels, reminders and instructions, her pockets stuffed with notes to self – and this new disappearance becomes linked in her increasingly chaotic mind with a much older one.
We will see its like again, I’m sure, but it may take another 80 years. In Elizabeth Is Missing (BBC One; adapted by award-winning screenwriter Andrea Gibb from Emma Healey’s bestselling novel), Jackson plays Maude, who becomes set on discovering what happened to her friend Elizabeth (Maggie Steed), who vanished one day after they had been gardening together. As of August 2020, Elizabeth is Missing is no longer available to watch on BBC iPlayer. By the end, we have the answers to the mystery, or mysteries. However, it is available to watch on the streaming service Acorn TV. The shadow, for instance, of male violence lurks everywhere, from Sukey’s imagined fate at the hands of her fiancé or the creepy lodger to the fear Elizabeth harbours of her own son.
Harrowing, compelling ... Glenda Jackson as Maud in Elizabeth Is Missing. The increasingly feverish fumblings for things and for words. Technically, then, it is a murder mystery. After Elizabeth goes missing, Maud is convinced that something terrible has occurred, and she sets out to solve the mystery, all the while fighting against time as her dementia worsens. Maude’s decline is as nuanced as it is relentless.
But of course – of course – it is Jackson who commands the attention. Then congratulations – you are Glenda Jackson and I claim my five pounds. It will surely win awards, but, unlike on many other occasions, you don’t think about that as it is unspooling before you. The actor is on magnificent form in a poignant murder mystery that doubles as a study of the sorrows of dementia, Last modified on Mon 9 Dec 2019 03.53 EST. And what a voice.
As she loses control (collapsing in bitter tears alone when she wets herself, howling in protest when Helen has to lock her in the house for her own safety) and must move in with Helen to be taken care of full-time, the ravings of a woman driven mad by grief after losing a son in the blitz begin to make sense and lead her towards peace, at least in Sukey’s regard. There is sterling support from those playing Maude’s increasingly stricken daughter Helen (Helen Behan) and her granddaughter Katy (Nell Williams), with lovely distinctions in their attitudes towards Maude – Katy’s generational distance enables her to take Maude much more as she finds her, while Helen’s grief for her mother and anxiety about her care corrodes her patience. It is that of her sister Sukey (played in flashback by Sophie Rundle, alongside Liv Hill as the young Maude) who went missing in 1949 and was never seen or heard of again. In Elizabeth Is Missing (BBC One; ... By the end, we have the answers to the mystery, or mysteries. The real drama exists elsewhere, in bravely impressionistic form held together by superb writing, a complex but immaculate structure and Jackson’s mesmerising, heartbreaking (and funny – as when she cannot remember who the prime minister is but “I know I don’t like him”) performance at its heart. And oh God, what a face she has. It is a harrowing, compelling, unsentimental, altogether magnificent performance.
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