For our guest Casey, he started out in the army before finding his calling as a cinematographer. Today, Andy Lowe, the chief electrician for works such as Paddington and The Crown, talks with us about his experience on the sci-fi set of Annihilation. On this episode, we cover the basics of shooting immersive action sequences with legendary YouTube filmmaker Devin Graham, the founder of the popular YouTube Channel devinsupertramp.
To many, it's just a fancy title at the end of many prominent names. Based in Toronto, Canada, Jeremy started out as a steadi-cam operator for music video's and commercials and transitioned into narrative short film work later in his career. It takes a very unique person to bridge the gap between machinery and art, and that's what Steve Giralt represents. The struggles, the victories, the golden days, and the failures.
What do you do? It's easy to fall into the artistic trends of the decade, but what's more important is what the artist brings from within, according to Natasha Braier, ASC. For those of you who consider yourself as a filmmaker, there's a good chance that you didn't start off that way. Join us with Sam Licenso, PD for movies such as Eighth Grade, Uncut Gems and Frances Ha, as we discuss how to modify and build sets to fit all types stories, from independent to professional Hollywood.
On this episode, Ted and Martin talk about gripping on Hollywood sets and what you need to know to start working in G&E. In this episode we talk about Jaron's early beginnings in cinematography, his crazy obsession with VFX and lighting, and what it's like to shoot on second unit. In this episode, we talk about production design, film school, Guy's career, and what it was like to work under Hollywood's top directors. In this episode, we talk about Jakob's journey to Los Angeles, creating a social media following as as filmmaker, and establishing his company PrismLensFX. Gilbert Gottfried's Amazing Colossal Podcast. Do you find an agent right away? It may be hard to believe, but there was a time that the same filmmakers who produced the movies we watch in the theaters were also working for free on films that nobody knows the names of. In this episode, we talk about the difference between indie and Hollywood films, colored lighting, and what it means to be a cinematographer.
In this episode, we talk about tips on becoming a professional editor and break down the music and editing of Bohemian Rhapsody. We also cover his journey as a cinematographer and what it was like shooting films in Europe. With gear being as cheap as it is nowadays, is it really necessary to make that dolly or glidecam out of PVC pipes anymore? With no time to light and a lot of producers breathing down your neck, it can be a struggle to get shots that are remotely good-looking. On this episode, we learn how to successfully shoot and sell stock footage, namely lifestyle and aerial footage. Instead of a director, you are met with the visions of show runners and producers. While talking about his preeminent work, he comforts us with stories about what it was like out of film school and the challenges he faced.
Second Unit - they're the unsung heroes who shoot the extras, inserts, and secondary inserts for a film or TV show. On this episode, we catch up with what Erik has been doing since his initial farewell from Indy Mogul and cover the basic essentials to buy for DIY filmmaking. DumTeeDum - A show about The BBC's The Archers. Not everything is just what you see in front of camera, so we sit down with seasoned music video producer, Moses Israel, to learn what first-time producers need to know before they step on set. You may notice LED lights popping up on your film sets more and more often as RGB lights are becoming a normal lighting staple. On this episode, we go over David's upbringing, his studies in camera and lighting, and the difference between film and digital. In today?s fast-growing market for video equipment, what are the absolute necessities to get started with in filmmaking? It's easy to fall into the artistic trends of the decade, but what's more important is what the artist brings from within, according to Natasha Braier, ASC.
Subscribe here to get our latest movie reviews, takes on the breaking news from the industry, film commentaries, editorials, and our weekly film podcast hosted by Collider.com Senior Film Editor Matt Goldberg. How do you know what is going to be worth it, and what are the red flags? Today, we go over a bigger question - how do we produce them? That is the story of DAPS, acclaimed music video director who has worked with the Migos, Iggy Azalea, and Kendrick Lamar. As artists and creatives, we know that filmmaking can take a toll on your physical and emotional health sometimes. This story can give inspiration & hope for others on similar roads. Ep. Comedian and actor Gilbert Gottfried, a man Stephen King once called “a national treasure,” talks with the show business legends, icons and behind-the-scenes talents who shaped his childhood and influenced his comedy.
In this episode, we cover Sam Lisenco unconventional journey to becoming a production designer and his through process behind his creativity. Player FM is scanning the web for high-quality podcasts for you to enjoy right now. 32 : The Rise of an Independent Artist with Shawn Corrigan, Ep. If you thought moving your entire life to Los Angeles to pursue filmmaking as a career was scary, you're absolutely right. To some, maybe. It's easy to fall into the artistic trends of the decade, but what's more important is what the artist brings from within, according to Natasha Braier, ASC. The Indy Mogul Podcast brings you honest, thoughtful discussions with expert filmmakers every week. Visual Engineer? Cinematographers will often say that the key to their success is their collaboration with production designers. As filmmakers, it's can be hard to communicate the visual world of your story in terms of design.
On this episode, we teach you how to effectively practice filmmaking and what to do when you're starting your filmmaking career.
He has this big-name artist. Whether you're in LA, Boston, or some random town, you can make your story happen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige. Shawn talks about his path to become a creative photographer and cinematographer. In this episode, we talk about the difference between indie and Hollywood films, colored lighting, and what it means to be a cinematographer. Joseph Kahn, legendary music video director for artists such as Britney Spears and Taylor Swift, has led an incredible life. 23 : How to Produce Music Videos with Moses Israel, Ep. They need a music video.
Hosted by indie filmmaker and Aputure's Ted Sim. What happens when you have an unflattering location, a very sunny day, and only 12 hours to shoot a high-budget commercial?
All for one day of shooting. It's big-brain time. With so many options out there, it's hard to differentiate the look and color accuracy between them.
Today, the modern filmmaker has so many options to shoot their projects from RED digital cameras to industry standard Arri Alexas to even your own cell phone. In this episode, we talk about the best tips young filmmakers can do around the world to get their careers going, and we go through Mike's journey into the bizz. You're the guy. On this episode, we talk about visual storytelling and how to communicate certain emotions and moods through Larry's past films.
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