On Our Means and Our Perspectives situationist texts [November 1971 to February 1972, published as a Eine neue, durch den vorhandenen Rahmen nicht zu bezwingende menschliche Kraft wird mit der unaufhaltbaren technischen Entwicklung und dem Unbefriedigtsein gegenüber ihren möglichen Anwendungen in unserem jeden Sinnes beraubten gesellschaftlichen Leben jeden Tag größer. history!" All of the initial theories concerning the development of this movement came from an organization called Situationist International (often referred to simply as SI) - a group whose activities we shell investigate to detail in the remainder of this text. And we will have it. International #1, June 1969]. ], De Donato's Fakes [unattributed, Maitron the Historian [unattributed, We Defend Freedom [Pinot Gallizio and the Spur Group, November 1959; trans. NOT BORED!]. It appears in the form of scandal. Situationists and Automation [Asger Jorn, 1958; trans. Denjenigen, die uns nicht gut verstehen sollten, sagen wir mit trotziger Verachtung: “Die Situationisten, für deren Richter Ihr Euch vielleicht haltet, richten Euch früher oder später.

The first CO-RITUS concert is held on the opening night. The exercise of this ludic recreation is the framework of the only guaranteed equality with non-exploitation of man by man. What are the organisational perspectives of life in a society which authentically "reorganises production on the basis of the free and equal association of the producers"? Opinion Concerning Revolution in the Underdeveloped Countries links.

Jeder wirkliche Fortschritt hängt selbstverständlich von der revolutionären Lösung der vielgestaltigen Krise der Gegenwart ab. Wir sind entschlossen, von der UNESCO Besitz zu ergreifen, und wenn es nur für eine kurze Zeit sein sollte, da wir sicher sind, dort schnell ein Werk zu verrichten, das als bedeutungsvollstes Zeichen zur Erhellung einer langen Periode von Forderungen bleiben wird.

". Internationale Situationniste #10, March 1966; translator Spurred by many previous concepts, this artistic and political movement started emerging during the early 1960s in France and it experimented with the idea of constructing a situation - hence the name. a.h.s Their main guiding star was the lettrie, a term that set the very title of the movement. Situationist Manifesto 17 May 1960 (Never work!) 3rd edition July 1990]. notes, Internationale Situationniste #11, October 1967; trans. The development of advertisement as we know it today also owes a lot of its aspects to Situationism.
creating 'situations' that fused art and politics INTO everyday life. Rockefeller by the academic staff of Universities, Colleges and Research [Constant Nieuwenhuis, 1958; trans. that has just been presented to President Kennedy and Governor The role of amateur-professional situationist - of anti-specialist - is again a specialisation up to the point of economic and mental abundance, when everyone becomes an "artist," in the sense that the artists have not attained the construction of their own life. It was from here on out that the Situationist International started to heavily influence arts, politics and urbanism. The guarantee of the liberty of each and of all is in the value of the game, of life freely constructed. NOT BORED! Naturally this would tend to collective production which would be without doubt anonymous (at least to the extent where the works are no longer stocked as commodities, this culture will not be dominated by the need to leave traces.) BORED! We provide art lovers and art collectors with one of the best places on the planet to discover modern and contemporary art. The Situationist International Antholog;y was originally published in 1981 and reprinted in 1989 and 1995. At a higher stage, everyone will become an artist, i.e., inseparably a producer-consumer of total culture creation, which will help the rapid dissolution of the linear criteria of novelty. 1972]. John Hammond].
What would be the principle characteristics of the new culture and how would it compare with ancient art? Another important novelty Situationism introduced was also pivotal for urban art as we know it today - members of the Si were the one of the first to use graffiti. Algeria, July 1965, reprinted in Internationale Situationniste From the moment when this organisation leaves the initial experimental stage for its first public campaign, the most urgent objective we have ascribed to it is the seizure of U.N.E.S.C.O. Welches sollen die Hauptkennzeichen der neuen Kultur sein - zunächst im Vergleich zur alten Kunst? It's the realisation of a better game, which more exactly is provoked by the human presence. From left to right: Guiseppe Pinot Gallizio, Piero Simondo, Elena Verrone, Michele Bernstein, Guy Debord, Asger Jorn, and Walter Olmo.

Gegen das Spektakel führt die verwirklichte situationistische Kultur die totale Beteiligung ein. BORED!]. Such are our goals, and these will be the future goals of humanity.”, 17 May 1960 ", The Conquest of Space in the Time of From the moment when this organization leaves the initial experimental stage for its first public campaign, the most urgent objective we have ascribed to it is the seizure of U.N.E.S.C.O. The entire manifesto was also underlined by a strong sense of Surrealism, meaning that Andre Breton also had a huge indirect say in the matter. Translated by Fabian Thompsett. wall poster; trans.

After the uprising was brought to a halt, SI became notorious and lost many members. Es ist jetzt schon so weit, dass die Künstler (und mit ihnen die ganze sichtbare Kultur) von der Gesellschaft vollkommen getrennt sind, wie sie auch untereinander durch Konkurrenz getrennt werden.

September 1969; trans. Situations [unsigned, 1960; trans. He left because of his worsening health and disagreements concerning the events that we shall soon discuss. section of the SI, 19 December 1969; trans. [unsigned, December 1959; trans. no dialogue with cunts [co-authored with Jan Strijbosch; 27 February Originally appeared, with different titles, in

Garnault, Internationale Situationniste #10 March 1966; [unattributed, Internationale Situationniste #12, September 1969; Anthony Hayes and NOT BORED!]. Ne Pas Se Pencheur International turns to coal, Reasons for reprinting "Into the trashcan of The Workers of Italy and the Revolt in Reggio the Spurists). Der so von jeder ökonomischen Verantwortung, von jeder Schuld und Straffälligkeit der Vergangenheit und den Anderen gegenüber befreite Mensch wird über einen neuen Mehrwert verfügen, der nicht mit Geld berechnet werden kann, da er sich unmöglich auf das Maß der Lohnarbeit reduzieren lässt - den Wert des Spieles, des frei konstruierten Lebens. Edited and translated from the French by Ken Knabb. Contributions Toward Rectifying Public Situationist International may have turned a lot of its attention to politics, but their true legacy can be found echoing throughout art history[5].

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