If you describe someone or something as a dead duck, you are emphasizing that you think they have absolutely no chance of succeeding. Cast: Armando Espitia, Christian Vazquez, Michelle Rodríguez, Ángeles Cruz, Raúl Briones, Arcelia Ramírez Director: Heidi Ewing Screenwriter: Heidi Ewing, Alan Page Distributor: Sony Pictures Classics Running Time: 86 min Rating: R Year: 2020, Enter to Win a DVD of The Tax Collector and The Pale Door, a Blu-ray of Yummy, and More, Our Preview Section Is Your Most Complete Guide for All the Films Coming Your Way Soon, We’re committed to keeping our content free and accessible—meaning no paywalls or subscription fees—so if you like what we do, consider becoming a SLANT patron, or making a PayPal.
A dead end job or course of action is one that you think is bad because it does not lead to further developments or progress. You engage deeply with the nature of what cinema does in both Cameraperson and Dick Johnson Is Dead, but they never feel academic. The narrative situates us sometime after the incident that afflicts Nolan (Mamoudou Athie), a professional photographer, with amnesia.
Though Jane’s dramatization of rage is haunting and shrewdly comical in its overt and ultimately moving über-manliness.
Given the widespread availability of high-quality cameras in phones and the cultural saturation of videos, do you think we could be nearing a time when that worry of losing someone’s likeness to time will disappear? In terms of the “heaven” scenes, they make such an intriguing blend of both heightening Dick’s real life and combining sublime cinematic flights of fancy like a Fred and Ginger musical number. I was looking for exuberance, life catharsis, euphoria, the pleasure of color. There are few modern filmmakers who possess Sofia Coppola’s gift for capturing how our idealized, movie-fed ideas of “night life” reflect our longing for adventure as well as our loneliness.
The genius of Her is that it doesn’t ask you to believe in the truth of its speculative science fiction so much as it does the truth of its romance, which is to say that Samantha (Scarlett Johansson) means more as metaphor—for a hard-won connection, long-distance or otherwise remote—than as a prediction of future tech. Yeah, exactly. Such assumptions also spring from guilt, as Kayla is usually left to her own devices, especially her phone, while Rebecca and Jay tend to their own lives. The precariousness of his economic situation forces him to resort to an experimental study developed by Dr. Lillian Brooks (Phylicia Rashad), who connects his brain to the Black Box, a digital hypnosis aid that allows him to virtually inhabit memories—memories that, as it turns out, may not be his own. Brad Pitt and Keira Knightley both scored early roles in scary movies. By the time Ewing changes aesthetic course in the end, the rawness of the filmic style feels contrived and unearned, unable to retroactively grant lifeblood into archetypes. With echoes of “The Monkey’s Paw,” it gradually dawns on the initially relieved family that Andy’s purple heart may no longer beat, and yet he thirsts for blood, which would be horrifying enough if the film didn’t also seem to be suggesting that, whether soldiers return home from war decorated or draped by the flag, they never return as they were before. We enter his present time by doing slow-mo. Its schematic organization of what Marty McFly (Michael J. There was even one young woman who cut out a moment where she just stared at the camera, and you could just see all of her feeling. In fact, A Very Murray Christmas’s emphasis on the connection between strangers makes it something of a spiritual cousin to Coppola’s 2003 film.
Perhaps inevitably, this approach reduces Iván and Gerardo’s life in Mexico to the tropes to queer victimhood: the sissy boy whose father catches him wearing make-up and teaches him a lesson so he can become a “real man,” the gay couple who’s attacked by rowdy straight men on an empty street. Like Harmony Korine’s Spring Breakers (of which this film is most certainly a piece, right down to a girl tauntingly sexualizing a pistol), Coppola presents a cautionary tale of aural and visual aggression, backing her vast buffet of all-corrupting merchandise with floor-shaking tracks like Sleigh Bells’s “Crown on the Ground.” But whereas Korine’s film left room for an eerie wealth of implication, The Bling Ring’s main thrust grows repetitive and hits a wall of E! Ex: Among their albums,"master of puppets" is likely the dog's bullocks!
Gonzalez, The Mad Max trilogy is the work of a talented virtuoso who blended seemingly every trope of every movie genre into a series of punk-rock action films. Why they perceive it as their biggest mistake is because there was something really meaningful that was happening, and they blew it in some kind of way.
This film with my dad was deeply emotionally risky for me. Chuck Bowen, The Blackcoat’s Daughter has a sad, macabre integrity.
Somewhere on the sliding scale between combustible heat and resignation is something like grace, where communion is likely. Cast: Jim Cummings, Riki Lindhome, Robert Forster, Chloe East, Jimmy Tatro, Marshall Allman, Neville Archambault, Annie Hamilton, Will Madden, Jessica Park, Laura Coover, Kelsey Edwards, Skyler Bible Director: Jim Cummings Screenwriter: Jim Cummings Distributor: Orion Classics Running Time: 90 min Rating: R Year: 2020. Eric Henderson, Ganja & Hess is both a highly personal reconstruction of the vampire myth (many cite it as the “anti-Blacula”), as well as a Godardian broadside, allowing us to imagine that Bill Gunn was actually thumbing his nose at the way the industry was shaping up for African-American directors in the ‘70s, thanks to films like Gordon Parks’s Shaft. The film is a nostalgia act for sure, particularly for The Hitcher, but it injects that nostalgia with something hard, sad, and contemporary, or, perhaps more accurately, it reveals that our hang-ups—disenfranchisement, rootlessness, war-mongering, hypocritical evasion—haven’t changed all that much since the 1980s, or ever.
Ted Pigeon, A faithful, vibrant Sofia Coppola adaptation of Jeffrey Eugenides’s novel about the unfathomability of teenage girls, The Virgin Suicides captures the album-rock ambience of mid-1970s suburban adolescent purgatory with just the right quantities of fetishism and pity. People or things that have been used for a very long time and that are no longer considered to be useful can be referred to as dead wood. The Best Episodes of The Twilight Zone Original Series.
In conjunction with the release of On the Rocks, we ranked Coppola’s films. Dead is used to mean `complete' or `absolute', especially before the words `centre', `silence', and `stop'.
One segment where the bikers and onlookers crowd together for an impromptu street party and display of tricks draws on a long lineage stretching from Rebel Without a Cause to The Fast and the Furious (and if wheelie-popping dirt bikes are not incorporated into the Fast & Furious series at some point, then its producers are failing at their job).
If you say that someone is dead meat, you mean that they are in very serious trouble that may result in them being hurt or injured in some way. But when he does pass, the film will keep him alive in both the joyous and painful details of his declining health as well as in their participatory fantasies of life beyond earth. Her answer is implied later, when she bows to the barbarians outside her gate. Materializing in the middle of the horror genre’s most transgressive decade, this is a cacophony of piercing shrieks, metallic clanks, and roaring machinery that looks back to Psycho’s view of ingrown monsters even as it outdoes the older film in sheer, visceral impact.
Laura and Felix work their way through New York, with a side trip to Mexico, in order to find out if her husband, Dean (Marlon Wayans), is cheating on her—a screwball adventure that Coppola invests with richly unresolved, contradictory undercurrents.
“The [sci-fi] film has never really been more than an offshoot of its literary precursor, which to date has provided all the ideas, themes and inventiveness. While some of the musical set pieces invoke classic Christmas songs, none have a particularly joyful vibe beyond the unspoken exchanges between characters that connect over their mutual loneliness. That’s new territory. I think we all feel this deep shame that the United States of America is such a racist project, and that we know it and then we forget it. Nolan is a zombie in the original Haitian sense, resurrected from brain death to carry out the whims of a witch doctor in a white lab coat. But I was motivated by students as well as by filmmakers whose work I love. You contextualize the making of the film in the decline and death of your mother, who you express regret over not capturing more fully in the vibrancy of her life. Cummings doesn’t have Lynch’s formal daring, but he has reinvigorated an oft-told tale with personal, thorny preoccupations. I asked two students to interview each other about their fears about their senior thesis project. The film’s allure is a self-consciously hip one, emanating from Coppola’s own fascination from the culture she photographs. The titles below (all presently streaming on Netflix) have shown us utopias, dystopias, distant planets, and our own Earth destroyed.
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