Lou and Rick on a Roll 14. I'm asking this because rarely have I ever been so distracted by a film's score. Both soundtracks convey a tone of things being inauthentically OK, each film depicting manipulative, sociopathic character's within the context of television news.
To rate, slide your finger across the stars from left to right. We hate the prospectors of that particular system of fear in the very moment we are drawn in and mesmerized by the film's own system of fear. Don't get in arguments with people here, or start long discussions. I honestly couldn't tell, maybe it is supposed to be a joke. It can totally change the way you feel while watching a movie and many times it does so subconciously.
I actually thought the score was really good and fit with the twisted optimism of the main character. Indeed, the scene's that embraced a level of ambiguity and didn't include music at all were some of the stronger moments in the film.
Otherwise, I pretty much loved Nightcrawler, but unfortunately, the score was pretty much the biggest flaw that stuck out to me. The First Accident 8. Released 4 December 2016. But in Nightcrawler, the best example of how they didn't know what they were doing came with that god awful upbeat rock song that accompanied the end credits. Nightcrawler (2014) cast and crew credits, including actors, actresses, directors, writers and more. In that sense, it totally works. I was tempted to make this its own post as well. I think a lot of people focus too much on the visual and don't realize that HALF of what we are taking in is auditory. Loder Crashes 6. The way we see the news team manipulate and edit Lou's footage to create narratives of fear and melodrama- that was what the filmmakers were doing with us with sound, but with a knowing wink- so that we would understand and notice what is done to us on a daily basis in the media through dramatic music, choice editing and bold headlines simplifying the grey of real life into a comfortable black and white vision. this is exactly what I thought. Or am I totally off base in this observation? Sell the Bike 5. The score perfectly mirrored Bloom's cliched "business insights" and seemingly naive optimism. Totally agree...I rarely notice the score unless I love it, or it's incredibly distracting or detracts from the tone the film would otherwise have, and there were several moments where it almost felt inspirational (very Explosions In the Sky-y), as if I were supposed to be in awe of the effort Gyllenhaal's Bloom was putting forth, instead of appalled at his actions. James Newton Howard is a composer with extensive soundtrack credits but rarely produces anything beyond "okay". Likewise, don't respond to trollish comments; just report them and ignore them. Louis Bloom is deeply optimistic, but in a really messed up way. The warm, exciting music is trying to make it seem like an inspirational success story. They maintained an 80s style synth/electro sound, but Cliff Martinez's subdued, minimalist score was replaced by a track with a strong beat that was supposed to connote excitement. That quite a lot of you feel like rejecting the soundtrack, to me, doesn't mean the experiment failed, but actually succeeded in making you creeped out and uncomfortable. As a result, the generally warmer, more sentimental music doesn't lend itself to make us sympathize with him.
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